Wedding

Todays wedding is a Paul and Sarah and Mark has Wedding Apprentice Jane Ryman out with him today, Jane is going to second shoot the wedding and shadow Mark to see how he works a wedding.

In this Part of confetti and lace 11 Mark shoots the Bridesmaids at the church and then the bride arriving and entering the church.

Real and RAW is the only way to explain this type of wedding training by Mark Cleghorn, as you get to see how a working photographer copes under the pressures of a real wedding day, nothing fake here, as even the images have only been touched by camera RAW in conversion, so no Photoshop, just conversion from RAW to jpeg with some of the images selected to Black & White or Colour boosted

Todays wedding is a Paul and Sarah and Mark has Wedding Apprentice Jane Ryman out with him today, Jane is going to second shoot the wedding and shadow Mark to see how he works a wedding.

In this Part of confetti and lace 11 Mark shoots the Bride at her home with her family and bridesmaids. Then Mark moves on to the church to shoot the Groom, beast man, page boys and ushers.

Real and RAW is the only way to explain this type of wedding training by Mark Cleghorn, as you get to see how a working photographer copes under the pressures of a real wedding day, nothing fake here, as even the images have only been touched by camera RAW in conversion, so no Photoshop, just conversion from RAW to jpeg with some of the images selected to Black & White or Colour boosted

Todays wedding is a Paul and Sarah and Mark has Wedding Apprentice Jane Ryman out with him today, Jane is going to second shoot the wedding and shadow Mark to see how he works a wedding.

In this Part of confetti and lace 11 Mark shoots the Bride at her home with her family and bridesmaids.

Real and RAW is the only way to explain this type of wedding training by Mark Cleghorn, as you get to see how a working photographer copes under the pressures of a real wedding day, nothing fake here, as even the images have only been touched by camera RAW in conversion, so no Photoshop, just conversion from RAW to jpeg with some of the images selected to Black & White or Colour boosted

Todays wedding is a Paul and Sarah and Mark has Wedding Apprentice Jane Ryman out with him today, Jane is going to second shoot the wedding and shadow Mark to see how he works a wedding.

In this Part of confetti and lace 11 Mark starts off with a scout of the church with Jane and then on to the brides house to find the bride not back from the hairdressers and Mark then talks with Jane on how he deals with things when timings go wrong.

Real and RAW is the only way to explain this type of wedding training by Mark Cleghorn, as you get to see how a working photographer copes under the pressures of a real wedding day, nothing fake here, as even the images have only been touched by camera RAW in conversion, so no Photoshop, just conversion from RAW to jpeg with some of the images selected to Black & White or Colour boosted

Todays wedding is a Nick and Sophie and Mark has Wedding Apprentice Tracy Sinclair out with him today, Tracy mainly wanted to assist and shadow Mark on a wedding to see how he works, the variety he shoots. The wedding is at a beautiful church and then the reception is at the Celtic manor resort in Wales.

In this Part of confetti and lace 10 Mark at the church shooting the groom, groomsmen and usher portraits. Mark talks to Tracy about shooting at the church and the reel of images that he shoots with the groom, bestman, ushers and the list that he works from. Mark explains through his working exposures around the church and ready for when the bride arrives so you can capture the shot straight away with correct exposure.

Real and RAW is the only way to explain this type of wedding training by Mark Cleghorn, as you get to see how a working photographer copes under the pressures of a real wedding day, nothing fake here, as even the images have only been touched by camera RAW in conversion, so no Photoshop, just conversion from RAW to jpeg with some of the images selected to Black & White or Colour boosted

Todays wedding is a Nick and Sophie and Mark has Wedding Apprentice Tracy Sinclair out with him today, Tracy mainly wanted to assist and shadow Mark on a wedding to see how he works, the variety he shoots. The wedding is at a beautiful church and then the reception is at the Celtic manor resort in Wales.

In this Part of confetti and lace 10 Mark at the church shooting the groom, groomsmen and usher portraits. Mark talks to Tracy about shooting at the church and the reel of images that he shoots with the groom, bestman, ushers and the list that he works from. Mark explains through his working exposures around the church and ready for when the bride arrives so you can capture the shot straight away with correct exposure.

Real and RAW is the only way to explain this type of wedding training by Mark Cleghorn, as you get to see how a working photographer copes under the pressures of a real wedding day, nothing fake here, as even the images have only been touched by camera RAW in conversion, so no Photoshop, just conversion from RAW to jpeg with some of the images selected to Black & White or Colour boosted

Todays wedding is a Nick and Sophie and Mark has Wedding Apprentice Tracy Sinclair out with him today, Tracy mainly wanted to assist and shadow Mark on a wedding to see how he works, the variety he shoots. The wedding is at a beautiful church and then the reception is at the Celtic manor resort in Wales.

In this Part of confetti and lace 10 Mark at the church shooting the groom, groomsmen and usher portraits. Mark talks to Tracy about shooting at the church and the reel of images that he shoots with the groom, bestman, ushers and the list that he works from. Mark explains through his working exposures around the church and ready for when the bride arrives so you can capture the shot straight away with correct exposure.

Real and RAW is the only way to explain this type of wedding training by Mark Cleghorn, as you get to see how a working photographer copes under the pressures of a real wedding day, nothing fake here, as even the images have only been touched by camera RAW in conversion, so no Photoshop, just conversion from RAW to jpeg with some of the images selected to Black & White or Colour boosted

In this film we see Mark Cleghorn simulating a quick bridal shoot on location in the snow and then finishing the images to Vintage through RAW.

Time is never on a wedding photographers side, so in this film Mark keeps to all the constraints of a cold weather wedding day with a 10 minute shoot of the bride in the snow, demonstrating how he would maximise the location for the time and weather constraints of a real winter wedding.

In the second part of the film Mark demonstrates his Vintage RAW preset and how he uses it for great effect as well as showing you how to create the same look.

In this 3 Part film you will see Sue Williams out with Mark Cleghorn on one of his weddings as the second shooter.  In this part you will see sue shooting and looking for the shots. Sue looks for expressions and the candids to capture the atmosphere of the day and from a different perspective to the main photographer

The job of the second shooter on a wedding day is to capture the day from another angle, looking at the details, candid/ reportage shots and get the shots that the main photographer cant see during the day.Sue is one half of Gary & Sue Williams photography, sue has been shooting weddings with Gary for over 15 years.

Todays wedding is a Nick and Sophie and Mark has Wedding Apprentice Tracy Sinclair out with him today, Tracy mainly wanted to assist and shadow Mark on a wedding to see how he works, the variety he shoots. The wedding is at a beautiful church and then the reception is at the Celtic manor resort in Wales.

In this Part of confetti and lace 10 Mark at the church shooting the groom, groomsmen and usher portraits. Mark talks to Tracy about shooting at the church and the reel of images that he shoots with the groom, bestman, ushers and the list that he works from. Mark explains through his working exposures around the church and ready for when the bride arrives so you can capture the shot straight away with correct exposure.

Real and RAW is the only way to explain this type of wedding training by Mark Cleghorn, as you get to see how a working photographer copes under the pressures of a real wedding day, nothing fake here, as even the images have only been touched by camera RAW in conversion, so no Photoshop, just conversion from RAW to jpeg with some of the images selected to Black & White or Colour boosted