In this 4 part film Mark Cleghorn shoots the female nude. Initially Mark discusses the nude and why photographers and artists alike are drawn to the female nude form and line for inspiration and creativity in their work.

Part 3 includes – Walking through the light, lighting from overhead, Lighting from the side, Highkey, One Light, Midkey, Metering, Reflector, Low Key, Black Background, Accent Light

18+

In this 4 part film Mark Cleghorn shoots the female nude. Initially Mark discusses the nude and why photographers and artists alike are drawn to the female nude form and line for inspiration and creativity in their work.

Part 2 includes – Composition, Placing the subject, Posing the full length, Sitting the nude, Hard light to Soft light.

18+

PT4U Master Portrait Photographer And Elements Guru- Kenny Martin

Every month using a combination of images and teaching films you will get to see the Master portrait photographer at work as well as an insight into what makes a great portrait as well as his keys and advanced skills in using in Adobe Elements.

In this the third of a five part introduction interview, Mark Cleghorn and Kenny discuss portraiture and styles of today are similar but different. Also Kenny discusses his new Photo Noir- Black & White sessions.

In this 4 part film Mark Cleghorn shoots the female nude, initially he discusses the nude and why photographers and artists alike are drawn to the female nude form and line for inspiration and creativity in their work.

Part 1 includes – Discussion on the nude, the basic lighting setup for the nude and using light to add mood and tone.

18+

In this series of films you get to follow the two SWPP Apprentices, Lisa & Anna over 12 months on their route to higher qualifications and hence better photography skills. You will be able to track the Apprentices on their training journey using a combination of specific films on PhotoTraining4U as well as hands on monthly tuition with Mark Cleghorn on their route to becoming better photographers.

In this 4 part film Mark interacts with the Apprentices during a guide to boudoir, shooting with Rachael, one of his models he demonstrates 2 styles of lighting Hard and Soft.

Lesson 5 Part 4 includes – posing on the floor, the Do’s and Dont’s with posing limbs as well as using netting to slim a client.

In this series of films you get to follow the two SWPP Apprentices, Lisa & Anna over 12 months on their route to higher qualifications and hence better photography skills. You will be able to track the Apprentices on their training journey using a combination of specific films on PhotoTraining4U as well as hands on monthly tuition with Mark Cleghorn on their route to becoming better photographers.

In this 4 part film Mark interacts with the Apprentices during a guide to boudoir, shooting with Rachael, one of his models he demonstrates 2 styles of lighting Hard and Soft.

Lesson 5 Part 3 includes – a change in set, now using the HiLite and netting to give a window effect as a background as well as a light source, plus a mixture of Hard and Soft lighting. Posing again is the hot topic, as the photgraphers job in Boudoir photography is to make sure the client looks thinner as well as an enhanced posture.

In this series of films you get to follow the two SWPP Apprentices, Lisa & Anna over 12 months on their route to higher qualifications and hence better photography skills. You will be able to track the Apprentices on their training journey using a combination of specific films on PhotoTraining4U as well as hands on monthly tuition with Mark Cleghorn on their route to becoming better photographers.

In this 4 part film Mark interacts with the Apprentices during a guide to boudoir, shooting with Rachael, one of his models he demonstrates 2 styles of lighting Hard and Soft.

Lesson 5 Part 2 includes – Mark continues the basic start to the session with the body details using hard light and then uses a diffuser Trigrip reflector to soften the light as well as to cut down the working aperture. Direction of light is changed to give different moods by introducing and using shadow in the portrait. Lisa & Anna then take on the session usingthe first setup.

Mark then changes the lighting setup by introducing a second light fitted with a honeycomb.

In this series of films you get to follow the two SWPP Apprentices, Lisa & Anna over 12 months on their route to higher qualifications and hence better photography skills. You will be able to track the Apprentices on their training journey using a combination of specific films on PhotoTraining4U as well as hands on monthly tuition with Mark Cleghorn on their route to becoming better photographers.

In this 4 part film Mark interacts with the Apprentices during a guide to boudoir, shooting with Rachael, one of his models he demonstrates 2 styles of lighting Hard and Soft.

Lesson 5 Part 1 includes – Lighting and Posing. First of all Mark builds a simple set in the studio, then discusses the different reflector dishes and the effect on the subject and the background, before bringing in the model to start the session in a partners favourite white shirt scenario. The session starts with just hard lighting with a one light setup, initially three quarter portraits,, then head and shoulders and finishing with body shapes and details.

In this film you get to see a young boy being photographed in the studio by Mark Cleghorn, during the session you see how mark interacts with Joe, his subject and how he animates the session and pose from a distance.

From a white wall to a curtain background and a simple lighting setup, this session could have been shot in a clients home or a temporary studio setup. The main light is a large softbox to simulate the sunlight direction coming through a window. Its quite a difficult session in some ways as their is little interaction between the subject and Mark, quite typical of this age, even though the variety is quite amazing in such a short session.

In this film Mark Cleghorn sets up for a session of a family and then gets let down by a client who does not turn up, so he decides to turn what was a photography film into a business guide and how to deal with theinvisible client.